Showing posts with label Stephen Root. Show all posts
Showing posts with label Stephen Root. Show all posts
Wednesday, August 21, 2013
Rango
Yeah, OK, I can see it. I mean, there’s nothing super profound
here, but you do get an entertaining animated movie that has some good
laughs, fine visuals (including some nicely clever visual references),
and a relatively standard though still compelling Western style story
line. I’ve seen worse stuff tossed out there under the cynical, “you’ll
watch anything animated” philosophy; this film rises above that. Worth a
look.
Thursday, July 26, 2012
Cedar Rapids
Who knew the Upper Plains could be so funny? Ed Helms, apparently, who
gives a note perfect performance as a naif who finds more than he
bargained for--to his ultimate gain--at an insurance industry convention
in the titular town. The story stays odd and appealingly skewed
throughout, and--unlike many a self-aware 'zany' comedy--never veers off
into the completely improbable. (There's one plot glitch--involving the
Helms character's major sin--that's not really true to form, but it's a
very minor, almost unnoticeable thing.) The result is often laugh out
loud funny and a good time at the movies. Check it out.
Thursday, January 5, 2012
Red State
So this is what Kevin Smith's now-perpetual cloud of weed smoke
hath wrought--a genuinely good indie film, with surprising philosophical
depth, storytelling skill, and an almost oddly sympathetic engagement
with its central crazies. If this really is his penultimate film
(preceding the forthcoming Hit Somebody!), one could argue Smith
is going out with a bang--and maybe just when he's finally figured out
this whole film-making thing.
Labels:
Crime,
Drama,
Horror,
John Goodman,
Kevin Smith,
Melissa Leo,
Michael Parks,
PURR,
R,
Stephen Root
Friday, July 15, 2011
The Men Who Stare at Goats
That title? Dynamite. This movie? Well...more like a sparkler; it seems like it'll be fun, but then you start the thing and it just sits there, throwing off the occasional gleam of something good, but never really lighting things on fire. A good cast does perfectly fine work, but they don't have enough good material to really make this flick fly. The biggest takeaway is the idea that a documentary on the movie's germ of truth--weird military experiments into the psychic--would have made for a better, more interesting film.
Sunday, November 30, 2003
Finding Nemo
Hate to say it, but this isn't as good as you think it is. The film is technically brilliant, of course; Pixar has that template down pat now. And the vocal performances are well done. But there are a lot of elements here which seem stale and recycled (the goofy sidekick, the motley collection of friends, even the Disney staple of the dead parent). If you've been paying attention, you have to feel like you're being suckered. If you're as uncritical as a child, then sure, go ahead. But adults might have a harder time swallowing these fish sticks.
Saturday, February 19, 2000
Office Space
An uneven piece from Beavis & Butt-Head and King of the Hill creator Mike Judge. It offers an occasionally hilarious satire of corporate life that turns dark one or two times too many. But mostly, it's funny and worth it.
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