From unlikely soil can spring forth remarkable fruit. The great power of this story (both this movie and the play upon which it is based) lies in the fact that it is the offspring of a story that was created over a hundred years ago—and as a metaphor for the populist movements of that far off era, to boot. In a world that seems devoted to constant change, and outright rejection of the past, it is heartening to see some cultural continuity where the tales, symbols and characters of another age can still hold charm and appeal even today. Indeed, the charm of the lead characters here—Cynthia Erivo’s Elphaba and Ariana Grande's Glinda—is what propels this adaptation up into rarified air and makes this work as entertaining and emotionally satisfying as it is. Some of the ensemble songs are a bit too ensemble, if you know what I mean, but the solo and duet numbers are standout. Also, this conception of the highly eccentric kingdom of Oz provides a visual feast throughout. There are a few elements that threaten to pull the viewer out of full absorption with the tale—the themes and subtext sometimes get dangerously close to preachy—but for the most part this ride can be enjoyed on its primary, straightforward terms. Let’s hope the filmmakers are able to find an equal amount of magic to pour into the forthcoming sequel/conclusion of this tale. So far, so good, witches.
Showing posts with label Peter Dinklage. Show all posts
Showing posts with label Peter Dinklage. Show all posts
Wednesday, March 19, 2025
Wednesday, August 29, 2018
Three Billboards Outside Ebbing, Missouri
The desire for catharsis may be even greater than the thirst for revenge. That's not your usual inspiration for a major movie, but it turns out you can do quite well with it. And what kind of movie comes from such inspiration? A challenging film with rawness all over the screen, one with no real heroes, possibly no villain, and no clear resolution--just the brutal realities that life sometimes throws our way. And yet it still succeeds in being frequently and oddly funny throughout. Truly excellent work.
Monday, March 5, 2007
The Baxter
A film with a lot of that "little movie that could" feel to it, with
plenty of cuteness, charm, and slightly cynical wit sprinkled within the
otherwise standard issue romantic comedy storyline. The nonlinear
timeline and voice over narration can be grating, but the cast is
likeable (a number of familiar faces, with Michelle Williams leading the
way) and the heart of the matter remains sincere. It never quite
reaches the highest highs, but the film stays near its peak for most of
the running time. Good enough.
Sunday, November 30, 2003
The Station Agent
It's not for everyone, but if you like a film with an honest outlook and
a laconic and dry style, you will feel right at home here.
Interestingly, none of those involved really tries to make any of the
principal characters likable; they just allow them to be what they are,
and you either take it or leave it. I say take it.
Subscribe to:
Posts (Atom)
