Showing posts with label Dustin Hoffman. Show all posts
Showing posts with label Dustin Hoffman. Show all posts
Thursday, January 5, 2012
The Tale of Despereaux
A beautifully made movie, with plenty of visual and directorial artistry. It seems to diverge quite a bit from the book--it's been forever since I read the original--but in this case that may not be a bad thing. Like all animation today, this one suffers from "familiar voice syndrome," but not as much as other animated movies. (There's no Chris Rock doing a jive-turkey routine here.) And there's enough quirky, individualistic charm to overcome any flaws. All in all, a satisfying viewing experience.
Labels:
Adventure,
Animation,
Ciaran Hinds,
Comedy,
Dustin Hoffman,
Emma Watson,
Family,
Kevin Kline,
Matthew Broderick,
PURR,
Richard Jenkins,
Robbie Coltrane,
Stanley Tucci,
T,
Tracey Ullman,
William H. Macy
Saturday, June 10, 2006
The Graduate
Back in the day (1967), contemporary audiences would have "gotten it"
right away. But now, if you don't have a thorough knowledge of the
times--and most viewers today don't--the interactions between the
characters will seem very odd. That cross-decade dissonance contributes
to a sense of slow pace and flat, hit-or-miss humor. This really is a
good movie, and I suspect discerning viewers will appreciate it, but I
have reservations about recommending such a dated film.
Saturday, February 12, 2005
Finding Neverland
No, not a "Best Picture" movie. That doesn't mean it's bad. Quite the contrary; I found this to be an effecting movie--well-made, well-acted, and worth the price of admission. Of course, I have a particular interest, being an enormous fan of Barrie's "Peter Pan" (in its book form, at least), so the story held special significance for me. However, there are a few "not quite" elements here--some clunky exposition of Barrie's symbolism, trite interactions between characters--that pull the quality down just enough to keep me from raving. It's not "top of the mountain" great, but it's certainly good enough.
Sunday, August 24, 2003
Marathon Man
More than anything else, I took from watching this movie a perspective on the stylistic differences between movie-making today and movie-making of the past (in this case, from 1976). If filmed today, this movie would probably have been hyperkinetic and obvious, with more explosions and a booming soundtrack--and it would have been much worse. As it stands, it's a tidy thriller (though the plot threads take their sweet time in coming together). And the satisfying yet not-exactly-happy ending, within today's context, comes across as unconventional and provocative. Oh, yeah--it has torturing Nazis, too. What more could you want?
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