Expansion is sometimes a good thing, sometimes not. This movie here is a case in point. Overall, the story is a bit too ambitious; when the characters achieve their originally stated goal, it seems like a good place to wrap up the proceedings and call it game over. But then things move in an altogether new direction, and not always successfully. The additional plot and resolution does not really add anything onto the story that needed to be there, beyond making an animated movie feel more cinematic by virtue of its being what is generally regarded as feature length. But that’s not to say that all of the story’s twists and turns are unwelcome. There’s good stuff in this flick, especially when the thing turns kind of twisted and starts sending up its own studio’s sacred cows, which leads to many of the movie’s laugh-out-loud moments. On the downside, one thing that looms over the entire tale is its vision of the internet, which includes a slew of major names (almost certainly paid product placements) and is hard to view without considering, from today’s standpoint, how much of all that has proven to be problematic, if not outright malevolent. That drops a bit of a buzzkill onto the presentation. Still, there’s enough satisfying entertainment here to get this flick just over the threshold for a PURR rather than a MEOW. One might accept another sequel with this cast, if someone comes up with a truly fresh idea—there were certainly possible story developments left on the table in this outing—and if the filmmakers can get everyone (including the studio) on board for the ride. If not, this would probably be a fine time for this crew to check themselves before they wreck themselves.
Showing posts with label Sarah Silverman. Show all posts
Showing posts with label Sarah Silverman. Show all posts
Friday, June 23, 2023
Ralph Breaks the Internet
Expansion is sometimes a good thing, sometimes not. This movie here is a case in point. Overall, the story is a bit too ambitious; when the characters achieve their originally stated goal, it seems like a good place to wrap up the proceedings and call it game over. But then things move in an altogether new direction, and not always successfully. The additional plot and resolution does not really add anything onto the story that needed to be there, beyond making an animated movie feel more cinematic by virtue of its being what is generally regarded as feature length. But that’s not to say that all of the story’s twists and turns are unwelcome. There’s good stuff in this flick, especially when the thing turns kind of twisted and starts sending up its own studio’s sacred cows, which leads to many of the movie’s laugh-out-loud moments. On the downside, one thing that looms over the entire tale is its vision of the internet, which includes a slew of major names (almost certainly paid product placements) and is hard to view without considering, from today’s standpoint, how much of all that has proven to be problematic, if not outright malevolent. That drops a bit of a buzzkill onto the presentation. Still, there’s enough satisfying entertainment here to get this flick just over the threshold for a PURR rather than a MEOW. One might accept another sequel with this cast, if someone comes up with a truly fresh idea—there were certainly possible story developments left on the table in this outing—and if the filmmakers can get everyone (including the studio) on board for the ride. If not, this would probably be a fine time for this crew to check themselves before they wreck themselves.
Labels:
Adventure,
Alan Tudyk,
Alfred Molina,
Ali Wong,
Animation,
Comedy,
Disney,
Ed O'Neill,
Gal Gadot,
Jack McBrayer,
Jane Lynch,
John C. Reilly,
PURR,
R,
Sarah Silverman,
Sequel,
Taraji P. Henson,
Timothy Simons
Thursday, July 19, 2018
Battle of the Sexes
A rebel and a rogue, in a different kind of star war. Given the tide of history, we all know going in not only who won the match, but whom we are supposed to root for. And, by just about any measure, that notion is correct on its face. But watching this movie, one must recognize--assuming an honest and intelligent assessment--that the victory won and the progress made necessitated both players; there could not have been the rebel without the rogue. That's something interesting to ponder. So too is the notion that this film actually seems to undermine its own point, in a way; maybe he lost simply because he didn't take it seriously enough. All in all, it's a good sign that such a movie makes you think that much about its premise and conclusions, and it definitely helps that it's wildly entertaining and expertly performed. A victory for sure.
Sunday, May 17, 2015
A Million Ways to Die in the West
This movie way wind up being Seth MacFarlane's Bananas or Sleeper; it is like one of those early Woody Allen vehicles in which its auteur carves out a unique niche for himself and tells a story (and jokes) that no other filmmaker working today would or could. The laughs come consistently--occasionally uproariously--and from such a skewed angle that they're entertaining in their idiosyncrasy alone. The other interesting thing here is the performance by Charlize Theron, who has previously been good but never this likeable and approachable before. This is must see stuff for comedy fans...maybe not so much for the wilting flowers (raunch dominates the humor here; few of the jokes are suitable for "polite company").
Saturday, March 9, 2013
Wreck-it Ralph
Unlike many contemporary animation films, this movie breaks the template in important ways; for instance, there’s a decided lack of ginned up, vaguely false sentiment here. Where the emotional beats come, they are well earned. Also, the film’s intelligence really shines through in the execution; the filmmakers create a world with its own rules, and they adhere to those rules all the way through. It’s just a very smart film. And, to top it off, watching this flick is an extra hoot for anyone old enough to remember the originals of many of these games. Strong stuff indeed. Drop your coins in the slot and play this one all you like.
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