Mission: Impossible - The Final Reckoning

Sic transit gloria cinema. If this really is the end, that is. What was in many ways the most unlikely of top-level movie franchises—in story, in execution, in star power, in sheer quality of execution—has apparently reached its denouement with an outing that is, perhaps, not the best of the series, but one that is representative and certainly full of entertainment value. You don’t really need to fret too much about the story here; this installment is continuing a thread that has been building for around three episodes now (and arguably grew out of the details of the entire series, as the movie makes clear with numerous self-referential flashback montages)--and all that really takes a back seat to the typically audacious stunt sequences anywat. Tom Cruise is very much his usual self here: strong, on-point, and totally in control of his character and environment (and he is deserving of accolades for clearly being a driving force in making this franchise what it became, which is a film series that far exceeded any reasonable expectations). The supporting cast does good work, too, including fine goodbyes to stalwarts Ving Rhames and Simon Pegg in their definitive roles, as well as solid performances from the rest of the crew--including Pom Klementieff in a role where, oddly, she speaks only French but apparently understands English in amazing detail. But hey, we’re not here to quibble; this stuff is all about a fun times at the movies, and this flick mostly pays that off, without ever descending into self-destruction. That’s a good mission to complete successfully—and here’s the proof. 

Mission Impossible: Dead Reckoning, Part One

A previous review link suggested that, perhaps, this series’ prior outing might be the last of its breed, if only because Tom Cruise has been doing this for so long that the exercise can’t possibly maintain particular interest going forward. Well, I guess here’s the proof that I was, shall we say, dead wrong. Apparently, the man and his crew have an inexhaustible ability to wring entertainment out of this concept. The stunts—in many ways the raison d’etre of this franchise—are up to the usual level of audacity. The plot is relatively clear, and rather timely, even if it drags its concept to a certain outlandish extreme. As for the human elements, I admit that there have been so many personnel twists and turns so far in the series that I’ve forgotten quite a bit about who is whom among the crew, beyond the core members of the team—Ving Rhames and Simon Pegg inhabit characters who are indelibly well-defined—but that really doesn’t matter for enjoying this flick. The experience is about just letting all the hyperkinetic chicanery wash over you, appreciating the awesomeness of those stunts and the cleverness of the setups while relishing the laughs scattered throughout the not-taking-itself-too-seriously script. At that level, it’s no wonder the thing keeps working. MI is pretty much as immortal and unkillable as Ethan Hunt himself—there’s always some escape to be made, some new ledge to leap onto and keep the thing climbing or running or scrambling its way forward. That, the fact of this franchise’s eternally entertaining nature, is a mission—or at least an enticement—that moviegoers have long since learned to accept. The thing couldn’t self-destruct even if it wanted to.

Guardians of the Galaxy Vol. 3

You can hardly go wrong telling a story with great characters. The strength of this series has always been its stable of astonishingly vibrant and memorable characters, from the original core set to the additions to the team in the second and now third installments--they have all been outsized, wildly entertaining and profoundly likable. That even applies to the computer generated personages, who really shine in this sequel. Rocket and his enhanced animal friends, in flashbacks to the past, bring such emotional depth and honesty to the story’s key points that their example opens up whole new vistas of consideration about how movie audiences can connect to characters, ideas and other facets of the movie-watching experience. Maybe even the dreaded AIs have something to offer the medium, something that those who grew up strictly on human-centric cinema would never have expected to be possible. Then again, maybe it’s all just a standard comic-book movie hoot and a half, with laughs and fun stuff and “did that look cool” sprinkled throughout a well-formed big-screen joy ride. You can just take it as the latter and leave all the deep thought stuff to others, if you like. This outing certainly serves up plenty of laugh-out-loud moments and a host of trademark flourishes that the franchise fans will expect to see. Yes, there is a certain amount of absurdity to the main storyline; if you think about it (not recommended), the whole thing doesn't make a lot of sense. But such concerns have quibbling written all over them. This is just plain movie fun, and if you don't get regular helpings of that, you're doing it wrong.