Showing posts with label Olga Kurylenko. Show all posts
Showing posts with label Olga Kurylenko. Show all posts

Sunday, September 14, 2025

Thunderbolts*

We’ve come a long way…um…babies? You have to be forgiven if, upon watching this installment of the MCU, you find yourself contemplating the Marvel movies of yesteryear and how invigorating they were, whereas this flick evokes, largely, little more than a “huh?” reaction. Oh, sure, there’s entertainment to be had here, including both a fair dose of humor and an appreciable overarching metaphor about overcoming abuse, in addition to the standard action tropes. But…the history does not disappear, and the influence of the past weighs heavily upon this “new” venture. The sense that this is little more than a photocopy of a degraded original—a vibe that is even acknowledged in the film itself, at least at the ending—is hard to get over. At least the cast of characters features a mostly likable group. Reservations aside, an honest assessment says that this movie is good enough to watch, and the studio seems determined to move forward with its plans, so maybe we can just keep an eye on things and see if something truly enjoyable develops down the line. Stranger things have happened, even within this very franchise. 

Monday, January 17, 2022

Black Widow

This felt like filler. Knowing that the title character already has an ultimate destiny kind of puts a damper on the proceedings from the start. Then there’s also the confusing backstory, seeming double crosses that really aren’t, and then preposterous finale which is overly convenient, not to mention vigorously defiant of both geography and physics … it’s all a not-quite-rich tapestry. Bottom line: it appears the MCU is sometimes deficient in IQ; at the very least, they outsmarted themselves with this piece. Not incompetent, at least not completely, but also not particularly necessary.

Saturday, March 9, 2013

Oblivion

This one seems to be a near miss. There’s a lot to like here: Cruise is good (he never isn’t, really), the look of the thing is wonderful, the twist is pretty good as movie twists go, and there’s even some good science that’s important to the movie’s reality (i.e., the presumed effects on Earth if our Moon were destroyed). But there’s one bit of dumbness that cancels out that good science: the story relies on the by-now well-worn clone fallacy (that clones would somehow share memories with the original organism). Probably not a bad rental, now that it’s out of theaters, certainly worth watching for free. But no surprise this wasn’t a big hit at the googolplex.