Alien: Resurrection

It becomes obvious early on that this flick was made mostly so Sigourney Weaver could have most, if not all, of the good lines. At least this time out she gets to trade in the previous outings' desperation for something more like occasional devilishness. That, and the bulk of this movie, are at least somewhat entertaining, even if at this point everything presented is redundant and derivative. Most interesting about this movie, in hindsight, is who was working behind the camera: Jean-Pierre Jeunet directed, and Joss Whedon wrote the script, both before going on to much bigger things. Say what you will about this franchise--and it's been all over the map--but it has always attracted top talent, even if its every presentation amounts to just a one note, dolled-up haunted house story. In this case, that's not enough to make a classic, but I never wanted to turn it off, either, so I guess that's a draw. Like its signature beastie, the series is a survivor.

Avengers: Age of Ultron

Oh, boy. I warned in the review of the previous Avengers movie that the property was dangerously close to being little more than empty--and not very intelligent--spectacle. It's hard to argue that this entry in the series (there will be a third, per the promise in the credits) doesn't tip over that edge and descend into utter schlock. This is really a baffling outcome; these characters somehow work far better on their own, and the humor that should be a big part of such a "fun" franchise is again largely missing here. Given the inputs--including the very sharp Joss Whedon directing again--it makes no sense that this movie should be the fairly joyless exercise that it is. I suppose, if you're into the genre, you must watch these Avengers flicks, just to keep pace with developments that affect the rest of the individual storylines. But please, don't pay for any more of this nonsense; check it out from the library if you need to get your fix.

Much Ado About Nothing (2012)

There’s a hoot to be had here, to be sure, if you’re a Joss Whedon fan from way back. And yet, there’s also the undeniable brilliance of Shakespeare at work in this piece, showing yet again that the genius shines through no matter how much any producer or director or cast seeks to cloak the bard’s work in his/her/their own personal style. Shakespeare wrote for the ages, and the power of both his words and his sense of story takes what might have been one Hollywood clique’s mere vanity project and elevates it into a truly delightful experience. Hey--how's that for some nonny nonny?

The Cabin In The Woods

Oh, shit. The Initiative lives, and it’s way more fucked up than anyone ever imagined. Joss Whedon (writer, in this case, not director, but still) probably deserves a markdown for cribbing from himself, but the results justify the recursiveness. Because man, once this thing gets going, it really gets going--with enough gusto to overcome the horror genre cynicism of even the most jaded and skeptical viewer. Definitely worth a look.

The Avengers

Mmm'okay. I guess. So this is what everyone was pissing themselves over last year? Sure, there are likable characters here--Captain Steve Rogers is an emblematic, admirable hero, plus there's that ever-reliable ton of fun, Tony Stark--but this film has too many "star" players to allow for anything like real character and/or storyline development. Plus all the pissy conflict among the team members--in the face of an immediate, known, deadly threat, no less--rings false. And then the climactic battle sequence is just plain dumb: an orgy of mindless destruction at the hands (claws?) of pan-dimensional but apparently mentally retarded aliens, who seemingly just show up without any particular battle plan, and are beaten back by a mere six beings (albeit superior or greatly equipped uber-beings). This is what stands as today's greatness? Joss, you'd better do WAY better with the next one, or you may wind up being known as the guy who queered the entire deal for everyone.

Serenity

Flawed but entertaining, much like its television predecessor Firefly. The biggest flaw: sometimes the main plot feels less interesting than the secondary shenanigans--the action, the wit, the developed character interactions--but the overall story works, and is never so subordinate as to ground the whole flight. And when this ship soars, it soars. I'd be on board for more movies with this crew.