Well, that’s an interesting concept for a movie: make a film about characters whom only a crazy person would find sympathetic. I guess this is what happens when you start from a position of making sure you have the correct politics, and then work on developing the story from there. That applies especially so when those correct politics echo the most deranged fever dreams of campus justice warriors. The result here is that the story’s villains are plainly villainous, but the putative heroes are simply bundles of uncontrolled animal urges who are not any more admirable than the other side. Other relatively minor issues grow out of a muddled timeline—the tale clearly has contemporary happenings on its mind, but includes a time shift that requires an origin point much further back in the day—and a central relationship that is preposterous on its face. So much for the problems. On the other hand, one must acknowledge that the plot has good pacing, the performances are solid all around, the script does not shy away from any particular difficulties, and—lastly but certainly not least—the core story in its human dimensions overcomes the film’s self-inflicted wounds to grow increasingly more compelling as the narrative moves forward. Also, the movie deserves credit for presenting a most compelling argument for the fact that security and liberty are diametrically opposed forces; increased emphasis on the former necessarily undermines the latter. That’s a political statement that is very much worth making these days, more so perhaps than the blanket canonization of one population cohort versus the demonization of another. So while this flick would hardly qualify as a Best Picture nominee (let alone winner) but for it tickling the strings of Hollywood’s preferred viewpoints, it must merit consideration as a good to maybe even excellent film—it’s just not an example of greatness. So don’t take that PURR as more than it really is. As usual, the real neverending battle is the fight to get people to stop overhyping whatever catches their momentary, acculturated but unrelated fancy.

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