Thursday, July 2, 2020

From Here to Eternity

It's probably not a good sign when you spend most of a flick waiting for bombs to drop--as in Pearl Harbor. This work's Best Picture win is evidence that the movie was overvalued due to its proximity in time to WWII (and, perhaps, its alleged raciness, though in reality it's really quite tame). The film's greatest strength lies  in the performances, particularly Burt Lancaster's work as the least screwed up of the principal characters. The narrative's intertwined stories are weak and fairly uninteresting, at least to this viewer. Admittedly, I'm not really one for stories focused on the "lives and loves" of fill-in-the-blank type people, even in a normal context; set such a story against the backdrop of world-altering historical events, and that putative main subject matter comes across as unusually petty and ultimately meaningless. A major disappointment.

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