Once again, the Coen brothers display their minor obsession with Homer’s Odyssey.
They might want to pull that classic down from the shelf and actually
read it sometime, because, you see, that work actually had a
story--something the Coens seem to be growing less and less concerned
with as the years go along. This is a tough call, because I admit that
this is a mostly entertaining movie that holds the interest, especially
during the performance scenes (the music is very strong here, though if
you’re not much for folkie stuff you might not be swayed to that point
of view). But I also find this lack of attention to an actual narrative
to be more and more grating with each film the brothers put out. Being
oblique and vaguely existential may be entertaining to the Coens, but
it doesn’t necessarily entertain us, the audience. If your tolerance
moves through a wide orbit, you’ll probably like this film very much;
but if you want something a little closer to the heart of the
storytelling experience, this probably isn’t it.
Monday, June 2, 2014
Inside Llewyn Davis
Once again, the Coen brothers display their minor obsession with Homer’s Odyssey.
They might want to pull that classic down from the shelf and actually
read it sometime, because, you see, that work actually had a
story--something the Coens seem to be growing less and less concerned
with as the years go along. This is a tough call, because I admit that
this is a mostly entertaining movie that holds the interest, especially
during the performance scenes (the music is very strong here, though if
you’re not much for folkie stuff you might not be swayed to that point
of view). But I also find this lack of attention to an actual narrative
to be more and more grating with each film the brothers put out. Being
oblique and vaguely existential may be entertaining to the Coens, but
it doesn’t necessarily entertain us, the audience. If your tolerance
moves through a wide orbit, you’ll probably like this film very much;
but if you want something a little closer to the heart of the
storytelling experience, this probably isn’t it.
Labels:
Carey Mulligan,
Coen Brothers,
Drama,
I,
MEOW,
Music,
Oscar Isaac
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