So, what's with the heavy-handed use of the hip-hop soundtrack? A
statement, perhaps, that the young white males who dominate this movie
are not so different from the 'niggas' in the hood? Yeah, we get it:
expensive suits and gold chains don't live so far apart after all. That's not exactly an epic statement. And even if it were
particularly insightful, the over the top presentation we get here is a
turn off. This may be secret knowledge to the filmmakers, but it's something that
some of us out here already know. That problem drags down this film,
despite a some good moments, and makes it less than it might have been.
Tuesday, February 19, 2008
Boiler Room
So, what's with the heavy-handed use of the hip-hop soundtrack? A
statement, perhaps, that the young white males who dominate this movie
are not so different from the 'niggas' in the hood? Yeah, we get it:
expensive suits and gold chains don't live so far apart after all. That's not exactly an epic statement. And even if it were
particularly insightful, the over the top presentation we get here is a
turn off. This may be secret knowledge to the filmmakers, but it's something that
some of us out here already know. That problem drags down this film,
despite a some good moments, and makes it less than it might have been.
Labels:
B,
Crime,
Drama,
Giovanni Ribisi,
MEOW,
Thriller,
Vin Diesel
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